Selfiee review – stan v superstar caper is a copper-bottomed crowd pleaser
After the monumental success of Pathaan, something a little more low-rise. Director Raj Mehta has emerged as Bollywood’s best-placed continuity candidate, landing one of the industry’s last pre-pandemic hits with 2019’s babymaking romp Good Newwz, before resuming with post-lockdown marital farce Jug Jugg Jeeyo. His latest expands upon the 2019 Malayalam hit Driving Licence, with its copper-bottomed premise: a movie star is driven nuts by the superfan schooling him in three-point turns. Another broad, sitcom-bright crowdpleaser, prone to abusing the wacky sound effect button, this latest Mehta comedy has nevertheless been packaged with a professionalism that’s hard to deny.
Crucially, Mehta gets his script right. Regular scribe Rishhabh Sharrma ensures this feud, between unsmiling action hero Vijay Kumar (Akshay Kumar) and moustachioed jobsworth Om Prakash Agarwal (Emraan Hashmi), develops organically from an early misunderstanding around the former’s surrogacy plans. It flares, wildly but not implausibly, into a 24-hour media storm encompassing weaponised hashtags, cancellation cries and angry mobs. Fixing one eye on the madness of moviemaking in modern India possibly explains why some stretches are played with an oddly stiff bat: Sharrma’s sharper satirical barbs risk drawing blood too close to home. (In an opening, out-of-character address, the actual Kumar nervily maintains no slight is hereby meant on his real-life superfans.)
Still, it is well played, within certain parameters. Other halves Diana Penty and Nushrratt Bharuccha are left looking on in cowed awe as the leads go mano a mano; in this Mehta appears fustily traditional. Yet Kumar and the ever-sly Hashmi spar well, and Abhimanyu Singh is hilarious as a rival thesp plotting Vijay’s downfall while making the world’s worst celebrity endorsements. A moderate timekiller, Selfiee earns goodwill with the sheer daftness of its final act, featuring a televised theory test and pro-celebrity parallel parking. But it may be time to reassess 2016’s Fan, one of Shah Rukh Khan’s pre-Pathaan flops: a film that proved far more daring in pitting superstar against stan.
Selfiee is released on 24 February in cinemas.
'Selfiee': Not worth the effort to visit the cinema
Film: Selfiee. Duration: 142 minutes.
Cast: Akshay Kumar, Diana Penty, Emraan Hashmi and Nushrratt Bharuccha.Director: Raj Mehta. Cinematography: Rajeev Ravi.Rating: **1/2
Celebrities, particularly film stars, and their brush with the law are not uncommon. Famous people do have run-ins with the law, and some of them have even spent time behind bars. Some superstars rue the fact that the law is very often much tougher on them, but law enforcement agencies believe that celebs are not immune to the law and that all citizens must abide by it.
This week's only release, 'Selfiee', attempts to raise the issue of well-known people riding roughshod over the law and getting away with lesser penalties.
Superstar Vijay Kumar (Akshay Kumar) enjoys the status of a demigod in the country. His cramped schedule doesn't allow even a single day off, much to the annoyance of his doting wife (Diana Penty).
The couple had planned a month-long holiday in the US, where she wished to deliver her first child conceived through in-vitro fertilisation (IVF). Kumar is all set to finish the last leg of a film shoot in Bhopal before flying off, but the producer (Akashdeep) requests him to shoot the climax for which the star needs to drive a vehicle in a sensitive area maintained by the Army.
Now that isn't much of an issue, but Kumar's driving licence has expired, and therefore, he cannot be allowed to drive without one ASAP. He needs to obtain a new driving licence from the RTO, Om Prakash Agarwal (Emraan Hashmi), who happens to be Kumar's diehard fan.
Not paying much attention first to something which looks like a cakewalk, Kumar refuses to come down from his privileged high horse and comply with the rules that require him to visit the RTO and do the needful. The inspector, who is delighted at the thought of meeting his idol, decides to take his young son to get a selfie clicked on the historic occasion.
To complicate matters, Vijay's rival actor (Abhimanyu Singh), supposedly his childhood friend who's had several flops in a row, and is desperately trying to make a comeback, tries hard to get Vijay into trouble so that his film career nosedives too.
Meanwhile at the RTO, Kumar is upset to see mediapersons thronging the office even before he reaches there to fulfil the formalities required for the licence. Some of the scribes begin to ask uncomfortable questions as to how Kumar was driving his car without a valid licence and canvassing for Safe Driving campaigns too.
An enraged Kumar blames Agarwal for stooping so low just for his 15 minutes of fame at Kumar's expense. The misunderstanding between the two escalates into a feud played out in front of the entire country.
The premise of this 143-minute film is believable. A worshipped film hero cannot be above the law and must face the consequences of his actions. Agarwal is a commoner who not just adores but reveres his hero, but at the same time is a committed and law-abiding officer. Though the face-off between them seems exaggerated and too staged, it works as per the film's theme.
What doesn't work is the script trying hard to highlight Akshay Kumar and his stardom. Even when his character is shown to be weak and losing his popularity, he is unnecessarily allowed to behave arrogantly.
Maybe, it justifies the superstar status of the character he plays, but on the other hand, it serves as a ploy to make him look both supreme and heroic. Hashmi, who has earned a respectable position as an actor over the past decade, having done away with his stereotypical romantic image that also won him the tag of the 'serialkisser', is consistently good as the simple, family-loving conscientious officer.
Director Raj Mehta, who is known to handle serious themes in a typical filmi manner ('Good News' and 'Jug Jugg Jiyo'), cramming his narratives with masala and entertainment, lets you down by reducing all other supporting actors into buffoons.
Some of the situations, too, could have been far more convincing had they been dealt with some sensitivity. Instead, every serious tone is diluted with comic dialogues and characters who are imperfect, derailing the weightiness of some important developments. It had a good premise that could have been either hilariouslywritten, or by adding thrilling moments between entitlement and the principles of the law.
Cinematographer Rajeev Ravi doesn't have much at hand to improve the strongly marked laugh lines that Kumar tries hard to hide.
Writer Rishabh Sharma, too, must have had a tough time adding heft to the story credited to Sachy, though we all know that it is based on the 2019 Malayalam film 'Driving Licence' by Jean Paul Lal.
There isn't much scope for songs in between what seems like a face-off between a hero and a villain, but there are a few that appear out of the blue -- one of them being a a rehash of Anu Malik's 'Main Khiladi Tu Anadi'.
Selfiee movie review: Akshay Kumar gets up, close and personal with his superstardom in this mass entertainer
Not very long ago we saw Ayushmann Khurrana play a superstar in An Action Hero, where an upcoming youth icon wanting to take a selfie with the actor ends up dead, and his brother lectures the superstar that all he is is because of public, so if they want a selfie, actors need to oblige. Cut to Akshay Kumar's latest theatrical release Selfiee, where the actor plays a superstar and ends up in a murky mess of sorts with his biggest fan. All this fan desired for was a seflie with his idol, but things take an ugly turn when media gets involved and it becomes a battle of egos and an ultimate fight between a superstar vs his fan.
An official remake of Malayalam film Driving Licence, this Akshay-starrer dramedy is not a frame by frame copy of the original (I've seen the Malayalam one in bit and parts) and has many lighter moments. Other than the basic storyline, Selfiee has ditched the serious undertones of the original and laced the writing with a lot of humour.
The story follows superstar Vijay Kumar (Akshay) who wants a driving licence urgently to be able to finish the climax of his film and save the producer from incurring losses. His diehard fan, RTO officer Om Prakash Aggarwal (Emraan Hashmi) is given the task to help the actor, and he agrees to fulfil it without following the usual tedious process and asks for a selfie as a gesture in return. But things don't go as planned and a misunderstanding leads to their feud becoming prime time news, while public has a field day with their juicy fight.
I have somehow always enjoyed watching actors portray superstars onscreen; it's kind of watching a film within a film, so double the fun at the cost of one. And this is seemingly becoming a tried and tested formula for filmmakers. Remember when Om Kapoor, played by Shah Rukh Khan in Om Shanti Shanti Om, became everyone's favourite, or when Vidya Balan brought to life the superstardom of Silk Smitha or even Kangana Ranaut's portrayal of Jayalalithaa during her best days as a superstar -- all these tried to bring to fore various aspects of a star's life and their connection with the common man, too.
With Selfiee, things look more real and relatable because of the story and narrative which is not too far-fetched and is pretty convincing. Selfiee doesn't end at being a feud between a star and an RTO officer, but also covers their emotional side of being a husband, a father and balancing it all with their respective jobs. The screenplay is engaging and doesn't let you have too many dull moments. The original story by Sachy has been written for the Hindi version by Rishabh Sharma and he tweaks it a bit to suit the Hindi audience's palette.
Akshay as Vijay gets as close as you could imagine to the superstardom he enjoys in real life. Bearing a charming persona and swag, he shows signs of gratitude for his fans despite being a self-made star. What I loved about Selfiee and which perhaps remains the highlight of the film for me, is Akshay's tendency to be able to take a joke on himself and laugh at it, too. Be it taking a dig at the constant scrutiny on the number of films he does in a year, Hindi films not working not working at the box office of late or a doctor telling him that he needs to do some 'classy films over massy cinema', or even his infamous smile showing his gums , he delivers all of these with so much ease.
It was after over a year that we saw Emraan Hashmi back on the big screen, and he has a pleasant screen presence though at places, he seemed a bit loud and over-the-top. But, maybe that's how some diehard fans of superstars are. That they can't control their emotions on seeing or meeting their 'gods'. In face-off scenes with Akshay, it's commendable to see how Emraan manages to hold his ground.
Among the supporting cast, Mahesh Thakur as Vijay's manager delivers an earnest performance, Meghna Malik as politico Vimla Tiwari is on-point with her comic timing and is given some funny lines. Abhimanyu Singh as Vijay's contemporary is comic relief and hilarious in scenes, but for someone with his acting calibre, he is completely wasted in the script. And so is Paritosh Tripathi and Kusha Kapila, who appear and disappear as per convenience.
And the ladies are once again neglected or have very little to do in the film. Nushrratt Bharuccha as Om Prakash's wife is caring but has a quirky side to her. And even though she doesn't approve of her husband's obsession with a star, she doesn't mind flexing in the front of whole colony when the husband is enjoying his 2 minutes of fame on news channels on TV. Diana Penty as Vijay's wife exists in the script only because there needed to be an emotional arch to the script and that the superstar can use that track to deliver an emotional speech in the climax. Other than that, Diana doesn't really get much scope to perform or showing her acting chops. Even her scenes with Akshay aren't anything great or something that will make you sit and take notice of their chemistry.
Talking of chemistry, I rather liked the song Kudiyee Ni Teri Vibe where Akshay grooves with Mrunal Thakur and the two set the screen on fire. Even the remixed version of Main Khiladi Tu Anari that comes in the end credit is a sure shot party number and not to be missed. In a nutshell, Selfiee ticks most of the boxes that Hindi film audiences look for. So, if you are fine with Akshay Kumar continuing to do Hindi remakes of films from the South, you would definitely enjoy Selfiee, even if you have seen the original Malayalam film. After all, isn't this what everyone is craving for - mass entertainers that can bring audiences back into theatres.
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